Monday, February 18, 2008

Sado Ceremony


The Japanese tea ceremony is a traditional ritual based on Taoism (Daoism) and influenced by Zen Buddhism in which powdered green tea, or matcha, is ceremonially prepared by a skilled practitioner and served to a small group of guests in a tranquil setting.
The pronunciation sadō is preferred by some schools, including Omotesenke and the Mushanokōjisenke,while the pronunciation chadō is preferred by others, including Urasenke. Cha-no-yu (literally "hot water for tea") usually refers to either a single ceremony or ritual, while cha-ji or chakai (literally "tea meeting") refers to a full tea ceremony with kaiseki (a light meal), usucha (thin tea) and koicha (thick tea), lasting approximately four hours.
Since a tea practitioner must be familiar with the production and types of tea, with kimono, calligraphy, flower arranging, ceramics, incense and a wide range of other disciplines and traditional arts in addition to his or her school's tea practices, the study of the tea ceremony takes many years and often lasts a lifetime. Even to participate as a guest in a formal tea ceremony requires knowledge of the prescribed gestures and phrases, the proper way to take tea and sweets, and general deportment in the tea room.

Hyakunin Isshu...One hundred people, one poem....


Hyakunin isshu is a traditional style of compiling Japanese waka poetry where each contributor writes one poem for the anthology. Literally, it translates to "one hundred people, one poem . It also refers to the card game of uta-garuta, which uses a deck composed of poems from one such anthology.
The most famous hyakunin isshu, often referred to as the Hyakunin Isshu because no other one compares to its notability, is the Ogura Hyakunin Isshu, compiled by Fujiwara no Teika (or Sadaie, 1162 – 1241) while he lived in the Ogura district of Kyoto, Japan.
One of Teika's diaries, the Meigetsuki, says that his son, Fujiwara no Tame'ie, asked him to arrange one hundred poems for Tame'ie's father-in-law, who was furnishing a residence near Mount Ogura; hence the full name of "Ogura Hyakunin Isshu".
Many other anthologies compiled along the same criteria--one hundred poems by one hundred poets--include the words hyakunin isshu, notably the World War II-era Aikoku Hyakunin Isshu , or One Hundred Patriotic Poems by One Hundred Poets. Also important is Kyōka Hyakunin Isshu, a series of parodies of the original Ogura collection...

Monday, January 14, 2008

Cd Activity....Hehe...

Keep Movin’ On
The 1st Album

Let’s your life movin’
Everybody keep movin’ on
To the rhythm of the life
In this crazy world
Keep movin’ on
Don’t be left behind

Feel the panorama around you
Ain’t no destination baby
We don’t really care
‘Cuz there’s the place to be
If you really work for it

Keep movin’ on
Find your own way to it
Keep movin’ on
There’s no time for waiting
You’ve got to make it true

Hey baby
Keep movin’ on
Forget ‘bout your fears
Listen to your heart
And ready to touch the sky
Let it make you come alive


10 Track in The 1st Album

1. Cheer Girl
2. Clumsy Chic
3. Just an Ordinary Girl
4. Keep Movin’ On
5. People Called Me Emotionless
6. C70
7. Runaway
8. H.M.O.B
9. From Bop to The TOP
10. Impossible is Nothing

EXPLANATION OF EACH TRACK

TRACK1: CHEER GIRL
I am a happy go lucky person, that’s why I choose this title..hehe..Cheer girl really reflect myself.

TRACK2: CLUMSY CHIC
People make mistake sometime. But for me, I admit that I always make mistake and clumsy when do something important. Hopefully I’ll change someday..huhu..

TRACK3: JUST AN ORDINARY GIRL
This track explains I’m just an ordinary girl…hehe…but sometime I do some extraordinary thing especially when I’m bored.

TRACK4: KEEP MOVIN’ ON
I choose this track for the hit song for my album. This song is about get my dream and hopes to catch. I always motivated myself to never give up to this life and have my own way to create success in my life…=)

TRACK5: PEOPLE CALLED ME EMOTIONLESS
??Hehe… Sometime when I gather around with my friends they all make some joke but I didn’t laugh but all my friends laugh because they feel that joke is funny. Maybe I a little bit ‘pending’ or smoothing..huhu=/…so, they called emotionless.

TRACK6: C70
Actually C70 is a model of a car under Volvo brand. I saw this model when I went to PWTC Car Exhibition in the year of 2006. The luxurious look make me feel impressed. Hopefully it will be my own car someday..hehehe…

TRACK7: RUNAWAY
My dream is to be a fashion designer. I hope that my design will appear at famous runaway and have my own clothing line brand.

TRACK8: H.M.O.B
Actually H.M.OB is stand for Have My Own Business…hehe.. I’m interested in fashion business since I want to be a fashion designer .

TRACK9: FROM BOP TO THE TOP
I want to be a top person someday. All success came from bottom to the higher position.

TRACK10: IMPOSSIBLE IS NOTHING
This song title actually is the theme of ADIDAS brand. This song is about what is impossible for me I want to make it possible for me to do it as long as I can…

Monday, December 31, 2007

The Tale Of Genji


The work recounts the life of a son of a Japanese emperor, known to readers as Hikaru Genji, or "Shining Genji". Neither appellation is his actual name: Genji is simply another way to read the Chinese characters for the real-life Minamoto clan to which Genji was made to belong. For political reasons, Genji is relegated to commoner status (by being given the surname Minamoto) and begins a career as an imperial officer.
The tale concentrates on Genji's romantic life and describes the customs of the aristocratic society of the time. Much is made of Genji's good looks. His most important personality trait is the loyalty he shows to all the women in his life, as he never abandons any of his wives.When he finally becomes the most powerful man in the capital, he moves into a palace and provides for each of them.
Genji was the second son of a certain ancient emperor and a low-ranking concubine (known to the readers as Lady Kiritsubo). His mother dies when Genji is three years old, and the Emperor cannot forget her. The Emperor then hears of a woman ("Lady Fujitsubo"), formerly a princess of the preceding emperor, who resembles his deceased concubine, and later she becomes one of his wives. Genji loves her first as a stepmother, but later as a woman. They fall in love with each other, but it is forbidden. Genji is frustrated because of his forbidden love to the Lady Fujitsubo and is on bad terms with his wife (Aoi no Ue). He also engages in a series of unfulfilling love affairs with other women. In most cases, his advances are rebuffed, his lover dies suddenly during the affair, or he finds his lover to be dull in each instance. In one case, he sees a beautiful young woman through an open window, enters her room without permission, and forces her to have sex with him. Recognizing him as a man of unchallengeable power, she makes no resistance, saying only that "Someone might hear us." He retorts, "I can go anywhere and do anything."[4]
Genji visits Kitayama, the northern rural hilly area of Kyoto, where he finds a beautiful ten-year-old girl. He is fascinated by this little girl ("Murasaki"), and discovers that she is a niece of the Lady Fujitsubo. Finally he kidnaps her, brings her to his own palace and educates her to be his ideal lady; like the Lady Fujitsubo. During this time Genji also meets the Lady Fujitsubo secretly, and she bears his son. Everyone except the two lovers believes the father of the child is the Emperor. Later the boy becomes the Crown Prince and Lady Fujitsubo becomes the Empress, but Genji and Lady Fujitsubo swear to keep their secret.
Genji and his wife Lady Aoi reconcile and she gives birth to a son, but she dies soon after. Genji is sorrowful, but finds consolation in Murasaki, whom he marries. Genji's father, the Emperor, dies; and his political enemies, the Minister of the Right and the new Emperor's mother ("Kokiden") take power in the court. Then another of Genji's secret love affairs is exposed: Genji and a concubine of his brother, the Emperor Suzaku, are discovered when they meet in secret. The Emperor confides his personal amusement at Genji's exploits with the woman ("Oborozukiyo"), but is duty-bound to punish his half-brother. Genji is thus exiled to the town of Suma in rural Harima province (now part of Kobe in Hyōgo Prefecture). There, a prosperous man from Akashi in Settsu province (known as the Akashi Novice) entertains Genji, and Genji has a love affair with Akashi's daughter. She gives birth to a daughter. Genji's sole daughter later becomes the Empress.
In the Capital, the Emperor is troubled by dreams of his late father, and something begins to affect his eyes. Meanwhile, his mother grows ill, which weakens her powerful sway over the throne. Thus the Emperor orders Genji pardoned, and he returns to Kyoto. His son by Lady Fujitsubo becomes the emperor and Genji finishes his imperial career. The new Emperor Reizei knows Genji is his real father, and raises Genji's rank to the highest possible.
However, when Genji turns 40 years old, his life begins to decline. His political status does not change, but his love and emotional life are slowly damaged. He marries another wife, the "Third Princess" (known as Onna san no miya in the Seidensticker version, or Nyōsan in Waley's). She bears the son of Genji's nephew later, ("Kaoru"). Genji's new marriage changes the relationship between him and Murasaki, who now wishes to become a nun.
Genji's beloved Murasaki dies. In the following chapter, Maboroshi ("Illusion"), Genji contemplates how fleeting life is. Immediately after Maboroshi, there is a chapter entitled Kumogakure ("Vanished into the Clouds") which is left blank, but implies the death of Genji.
The rest of the work is known as the "Uji Chapters". These chapters follow Niou and Kaoru, who are best friends. Niou is an imperial prince, the son of Genji's daughter, the current Empress now that Reizei has abdicated the throne, while Kaoru is known to the world as Genji's son but is in fact fathered by Genji's nephew. The chapters involve Kaoru and Niou's rivalry over several daughters of an imperial prince who lives in Uji, a place some distance away from the capital. The tale ends abruptly, with Kaoru wondering if the lady he loves is being hidden away by Niou. Kaoru has sometimes been called the first anti-hero in literature.